Art is in transition mode. The future of expression is now. It’s the digital spaces we are still learning to manipulate, occupy and stretch. We must use the web as space for transportation. Art in the virtual space should have no relation to the art we have come to know in the physical form - from painting on canvas, sculpture, even the likes of video. The web is a new economy. A new set of sensory platforms to surprise visitors with new portals. You click a link and you enter a space created by another being. We are having collective experiences because of algorithms being created by other people. It is a big advantage - this whole democrotizing vehicle of experience. No longer a museum we pay to enter that has been curated, but rather real estate for all. And how will we learn to use these forces to create new artistic means and medium?

http://entropy8zuper.org/godlove/

The link included is the future of art. It is stirring and experiential, despite living on a screen. You can feel its depth and layers. It surprises you. Takes you on a journey you get to manipulate while piecing together. There is sound, visuals, and interaction.

Another look at the Art 2.0 is the link here:

http://www.111111111111111111111111111111111111111111111111111111111111.com/

A goof and dandy take on what the internet can offer in the way we share art. Each click reveals another chapter in the pop-photoshoping of contemporary politic and gossip. The artist, in the new scape of online artistry, allows the artist greater say in how we come to experience the work. Even the computer programed alerts that you must click ‘ok’ to add a degree of beta and a degree of recognizing the medium at hand.

Further, it is virtually between you and the creator. As if screen is now canvas and your clicks reveal greater brush strokes. A click being an active ‘agreement’ with the artist allowing him/her to show you more. Adding analytics into the mix, an artist can even quantitatively analyze which pieces may be more popular that others. This is the new economy of art for sure.